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Viva Versace Part 5!!

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Tribute to everything Versace, from videos, editorials, ad campaigns, quotes, and images from my personal archives spanning 15 years. I will try to catalogue Versace's images from my favorite collections during the last decade. 
 xwg: “Shalom Harlow @ Versace S/S 1996 ”
Gianni Versace was a man who changed my life and introduced me to the world of fashion, art, supermodels, photography, and music. He will never be forgotten... enjoy!
 aestheticjunkyard: “Linda at Gianni Versace S/S 1992 ”
 
realhaute: “! ”kravchenk0: “Versace F/W 2016 photographed by Bruce Weber. ”the-trotteur: “Versace Scarves 16. ”inversesolipsism: “Lucas Parisi photographedi by Didio. ”
pulloutyourfreakumdress: “Shalom Harlow at Gianni Versace F/W 1997. ”larsfredriksvedberg: “#versace #ss17 @versace_official (på/i Milano Malpensa International Airport Terminal 1) ”littlehookerofgaga: ““Donatella Versace photographed by David LaChapelle (2000) ” ”givenchyvevo: “Naomi Campbell @ Gianni Versace Fall/Winter 1992 ”hnbw: “HNBW • HNCL • INSTAGRAM ”justdropithere: “ Travis Smith by Hadar Pitchon - Fucking Young! ”ssuperlatives: “Versace eyewear : Attractive lines, a massive effect. Vanessissima ”trendy-boys: “Trevor Signorino by Bruce Weber for Versace Dylan Blue ”hellyeahhelena: “ Gianni Versace Spring/Summer 1991 ”irresistablebitch: “Prince by Thierry Perez ”batofthelash: “ Madonna in Versace glam ”amarfoto: “V E R S A C E SCARVES SS2016 @versace_official #versace #ss16 #scarf ”fantasists: “Alessio Pozzi by Manuel Scrima for Adon Magazine #20 ”undiedude: “Jacob Morton by Leonardo Corredor for Risbel Magazine ”fantasists: “Alessio Pozzi by Manuel Scrima for Adon Magazine #20 ”pantelis: “Jon ”

Strut Your Stuff: Parke & Ronen Fall 2016 Runway Shoot

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Parke & Ronen came to the underwear industry with a creative vision to infuse simplicity with sensationalism which is lovingly displayed in all of their apparel collections which include, but are not limited to: menswear, sportswear, swimwear, footwear,
accessories, and underwear collections.
 The two founders wanted to focus on crafting chic looks while combining a refined taste with today’s current trends. Every Parke & Ronen customer can expect to find elegant details, high-quality supple fabrics, and a stunning fit whenever they slip on these items. 

The swanky campaign is shot against a grey background so the photographer, Ronen Jehezkel, can really focus on the individual models in their hot, fashion looks. The grey-washed backdrop is a great way to show off the smoldering dark fabric colors, bold patterns, and versatility in the Parke & Ronen Fall collection.
The knit crews, mesh long johns, and turtlenecks pair perfectly with each other to show off a quintessential fall look. While some of the models sport a complete outfit, other models have deconstructed looks without an essential item so that they can show off their abs, legs, or Parke & Ronen’s Meridian bikini swimwear. The fresh-faced, handsome models communicate a high-end fashion vibe in this trendy fall collection look book.

Parke & Ronen Casting Call!

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In the underwear industry, scouting agents are always on the look out for models, who will best show off sleek and sexy brief and boxer pairs to the best of their ability. 
I got a chance to witness this process first hand at the Parke & Ronen offices to check out the latest line up of svelte models. With their shirts off and jeans slung low, these models try to embody the Parke & Ronen philosophy of simplicity and sensationalism in a minimal, white room.

In these behind the scenes photos, different models try on brief cuts and loungewear in uncomplicated fabrics, which are the hallmark of the Parke & Ronen look that also includes a focus on impeccable fit, and polished details.
The showroom has racks of Parke & Ronen product that is a marriage of European haute couture and the New York edginess of Seventh Avenue, which leads to an explosive union of high fashion elements.
 Fortunately for us, we got the inside scoop to check out the Parke & Ronen casting call. Join us for a secret peek!

Parke & Ronen Fashion Show: Spring Collection!

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Parke & Ronen fashion show at the annual New York Fashion Week 2016 showcased this inventive brand’s smart and subversive new Varsity Collection. The day and the Parke & Ronen event were no doubt a smashing success for the New York based brand and its fans, and the behind-the-scene photos and video footage from the show below give you access the Skylight Clarkson Square where the event was held, if you were unable to attend or if you want to relive the affair and see how the Varsity Collection wore on the models.
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Playing on the epitome of collegiate prep style, the sharp Parke & Ronen Varsity Collection was on full display as several models showed us the colorful briefs, trunks, swimsuits, and accompanying activewear that embodies the Parke & Ronen aesthetic in this particularly fun iteration, a take on the refined styles of the Ivy league, but with more pop and character than you associate with the typical stuffiness of such a crowd and their requisite attire.

The show even included varsity jackets, and with ocean and sea life prints peppering the entire collection, the mood was relaxed and exciting. Parke Lutter and Ronen Jehezkel’s brand has always been about inspiring confidence and promoting individuality, while simultaneously embracing a undeniably clean and polished look.
 This show brought these dimensions of their line into clear focus, and also included the announcement of an additional collaboration with Lodinatt, the Korean handbag brand.
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Billy McLarnon in sexy Gay Music Video!

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RAPHAEL BRINGS TROUBLE TO THE DANCEFLOOR AND THE BOXING RING WITH “BOYS ARE TROUBLE”



The soulful electro-pop singer Raphael releases “Boys Are Trouble”, a dark, seductive track. Written by Raphael, the song ? with its moody piano, beautifully sad strings, and raw vocals that exude vulnerability ? is being compared to ballads by Lana Del Rey and The Weeknd.  
“Boys Are Trouble is a song about addiction, whether it is love, sex, or the human body,” explains the artist. “I often find that just when I think I’m in control of my emotions, a sexy guy comes along, carnality takes over and I fall to pieces.” “Boys Are Trouble” is the second single from Raphael’s upcoming album, The Dark of My Mind.  The single is now available on iTunes and Spotify, along with its brand new club remix by superstar DJ Joe Gauthreaux. The “Boys Are Trouble” music video is available on YouTube.



“I tend to fall for guys who are aloof and ridiculously overconfident. I become so consumed in vying for their attention that I completely lose myself,” explains Raphael from Downtown Music Studios in Manhattan. He is there mixing his album with multi-Grammy award winning mixer Tony Maserati (Beyonce – “Crazy In Love”).  “It would be easy to blame it on the guys, but what I’ve learned from my experience is that I am the one who brings the trouble upon myself. I want who I want at that moment, and I don’t really care what happens as long as I get the guy.”



The music video for “Boys Are Trouble” takes place in a seedy fight club. We see Raphael, trying to escape his loveless and abusive relationship with  Cash, the rich and violent fight club organizer. He finds solace in a boxer named Max, a loser with a winning heart. “Being in an abusive relationship in the past, I felt it was important to show how domestic violence also exists in LGBT relationships, which is something that is rarely discussed.”




Raphael chose to cast male models for the music video as a nod to Friday Night Throwdown, New York City’s true life amateur boxing matches that pit male models against local boxing talent. He picked  Taylor Harris, who plays Cash, for his irresistibly dangerous looks and William McLarnon, who plays Max, for his boy-next-door qualities.
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“I’m fortunate to always find the right guys for my videos.  It’s finding the right ones off-camera that gets tricky,” he laughs.



Raphael was born in New York and raised in Miami Beach, listening to ‘90s pop and Miami hip-hop.   He describes his style of songwriting as stream of consciousness and views his songs as a representation of himself as a person and an artist.



In his music, Raphael aims to bring back the love. According to the young singer, most songs today emphasize independence and an “I’m too cool” attitude towards romance. He misses the desperation and vulnerability in songs from the past where vocalists unapologetically gushed over someone.


He calls his upcoming album, “The Dark of My Mind”, his journey through modern love set to sexy, moody trip-hop and electro-pop sounds that are at times ethereal and dreamy and at other times flow over the listener with a wave of sexual urgency and romantic longing. “It’s about those things that you tuck in the back of your head and you don’t necessarily want to talk about or want people to know,“ explains Raphael.
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“Boys Are Trouble” is his first song to be remixed for clubs.  “I felt a remix was needed for those late night seductions on the dance floor,” he says, adding,  “When I heard Joe Gauthreaux’s remix of Justin Beiber’s “Boyfriend”, I knew he was the perfect remixer for the song. He brings a hypnotic feel to his remixes that works perfectly for ‘Boys are Trouble’.”



“Boys Are Trouble” is streaming now on Spotify and is available for purchase on iTunes. Raphael’s debut album, “The Dark of My Mind,” releases soon. For more information visit www.officialraphael.com.
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Is Karl Lagerfeld retiring at 83?!

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Karl Lagerfeld could be retiring after Chanel's cruise show in Cuba in May, Page Six reports. The 83-year-old designer, who is creative director of Chanel and Fendi in addition to an eponymous line, is reportedly "really tired," a friend told Page Six. "He's not doing well and he's ready to stop."
Lagefeld has helmed Chanel since 1983 and Fendi since 1965. In 2012 he told the press he'll retire when he dies: ""If I do [retire], I'll die and it'll all be finished … I can do what I want in all kinds of areas. The expenses are not expenses. I would be stupid to stop that. Work is making a living out of being bored."
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Karl Lagerfeld is 83 today!

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Karl Lagerfeld Turns 83 Today! 9 Times He Schooled Us in All Things Fashion

Karl Lagerfeld celebrates his 83rd birthday today, and throughout the six decades he's spent in fashion there's been no question that he is among the world's most highly skilled and well-known designers. Lagerfeld has long been the creative genius behind Chanel, as well as Italian fashion house Fendi. He is not, however, just a fashion designer. The creative force is also a photographer, publisher, and film director—but, he's said, he wouldn’t go so far as to call himself an artist. Many fans would likely disagree.
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Lagerfeld has strong convictions about how to live, work—and dress, of course—which, when coming from the man who's steered the fashion industry for decades, has us all ears. In honor of his birthday, we decided to reflect on some of his words of wisdom, including everything from his take on the selfie to why he doesn’t see any reason to stop designing now.
1. On His Fashion Philosophy:
"There’s no faraway future, it’s no futuristic thing. Fashion is something people are supposed to consume immediately, not in 10 years." (nytimes.com)


2. On the Selfie Phenomenon:
"We live in a world of selfies. I don’t do selfies. But other people do, and they all want to do selfies with me. No, no, no." (nytimes.com)


3. On Why He's Not Counting Down to Retirement:
"If you like what you do, you don't count." (theguardian.com)
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4. On Why Photography Fulfills Him:
"You finish the collection and you are isolated until the time to get to the next one. That would be very boring. It’s very bad and unhealthy to get isolated. Already I don’t walk in the street, so I have to do something, somewhere." (nytimes.com)


5. On His Creative Process
"I don’t believe in waiting for inspiration. The French say, l’appétit vient en mangeant, the ideas come when you work. I work a lot for the garbage can. I have huge bins next [to me], for whatever I do, 95 percent goes to the bin." (nytimes.com)


6. On Never Looking Back After Creating a Collection
"What I like is to do—not the fact that I did. It doesn’t excite me at all." (nytimes.com)
7. On Not Taking Things too Seriously
"I don’t think that most of the designers have a very quick sense of humor. They take themselves very seriously because they want to be taken as artists. I think we are artisans. It’s an applied art. There’s nothing bad about that. If you want to do art, then show it in a gallery."(nytimes.com)

8. On Whether He Worries About His Designs Selling:
"No, thank god, because then it becomes marketing. I hope it will, but I don’t formulate it. I think that’s a very unhealthy thing. I am a commercial designer. As Carrie Donovan used to say, 'Fashion is what people wear,' and I don’t think that’s changed." (nytimes.com)


9. On Following Trends:
"Trendy is the last stage before tacky." (businessinsider.com)
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Lagerfeld & his Boys

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Rolexes, diamond bracelets and private jets: Inside the world of Karl Lagerfeld's 'Boys' (including his six-year-old catwalk godson who he lavishes with gifts) 


  • Chanel designer, 83, has an entourage of male models called 'Karl's Boys'
  • Eccentric fashion legend hates selfies and drinks chilled Diet Coke
  • Puts six-year-old godson on the catwalk and covers him in diamonds
  • Until recently, he only communicated via fax machine 
He's as famous for his extravagant lifestyle as he is his signature designs.
With London Fashion Week in full swing, Karl Lagerfeld's favourite muse has lifted the lid on what life is really like with the head designer of fashion houses Chanel and Fendi.
Model Brad Kroenig is the most senior member of an elite group of male models known as 'Karl's boys' and with his six-year-old son Hudson he travels the world in Lagerfeld's private jet attending fashion shows and exclusive parties.
In an interview in The Times's Saturday magazine, Kroenig reveals how the designer likes to lavish gifts on his 'boys', with a rose-gold Rolex and a diamond bracelet by Chrome Hearts, Lagerfeld's favourite jewellery brand, among his latest presents. 
Kroenig, whom Lagerfeld once shot as the Greek god Zeus and compiled the photos in a four-volume book devoted entirely to his muse, said: 'Karl is really generous. He likes his friends to look chic.'
Kroenig's son Hudson is Lagerfeld's godson and has been appearing in Chanel shows since he was two.
It is reported Karl walks around with a portable Polaroid printer and he has gifted Hudson with one too. 
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But he tells the little boy off when he tries to use the camera to take selfies saying: 'I hate selfies. Don't use your film for ugly purpose.'
And even when they're not together it's been reported that Karl lavishes the little boy with gifts. It's been said he gave him a toy version of himself and fills Hudson's wardrobe with Chanel and Fendi clothes.  
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Lagerfeld, who designs 17 collections a year and until recently only communicated with friends by fax, stunned onlookers when he draped the youngster in layers of diamonds worth $1.5million on Chanel's 2015 resort collection runway in Dubai in May 2014.
Much has been made of Lagerfeld's relationship with Kroenig and Hudson. The profile of Lagerfeld detailed how the designer would fly the pair around on his private jet.
In the piece Lagerfeld, who is famous for his acerbic put-downs, said he prefers the company of models because: 'I hate ugly people. Very depressing.'
Indeed, Kroenig and his son not only accompany Karl around the world to various shows and parties but also on his holidays to St Tropez.
It's a relationship that doesn't seem to bother Kroenig's wife, Nicole, who stays at home in New York as her husband flies around the world with the designer.
Brad and Hudson Kroenig on the Chanel catwalk in 2012 
He told The Times of his relationship with the models: 'I see the boys like family. I have no family at all, so it's good to have, like, sons, but without the unpleasant problems sons can create.'
As well as covering his models in diamonds, Lagerfeld once had a cast of the model Baptiste Giabiconi made out of chocolate. 
Indeed, when Lagerfeld takes to someone, they can rely on his endless support. From Cara Delevingne to Kendall Jenner, he has had many a muse.
He tends to like strong women, from Rita Ora for whom he created a dress named, The Ora, to Kristen Stewart who starred in his Chanel Dallas campaign. 
Singer Lily Allen has also long been a close confident of the designer. It is rumoured that they met at a party where she drunkenly asked him to draw her a diagram of how to make shoes. 
She landed a Chanel campaign and when she married in 2011 she wore a custom Chanel gown for part of the day. 
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Lagerfeld's own life is as gilded as it is regimented. He has a butler who wears a white coat and tie and travels ahead of him, greeting him with a chilled wine glass of Diet Coke.
In an interview with Harper's Bazaar he once revealed that he has to sleep for seven hours a day, every day. 

He follows a strict diet which starts with two protein shakes and steamed apples and he refuses to drink hot drinks. 
Lagerfeld famously lost six and a half stone saying that he did so so that he could, 'be a good clothes horse.'
His hair, which he has pulled back into a pony-tail every day, is not actually the white hue it seems, in fact he has previously admitted that he sprays it every day with masses of dry shampoo to achieve the colour. 
But while the fashion designer, whose black trousers feature a microprint of his own likeness, is undoubtedly one of the most famous in the world, he is in danger of being usurped by his cat Choupette.
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The Siamese cat has her own Twitter account and a range of accessories in her image including shopping bags and wallets. 
Choupette has her own wikipeadia page and was originally owned by Baptiste. In an interview with CNN in 2011 Karl revealed he wished he could marry the cat.
He said: 'There is no marriage, yet, for human beings and animals… I never thought that I would fall in love like this with a cat.' 

Sally Sussman Morina's back on Y&R!

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That sound you hear isThe Young and the Restless fans rejoicing. Beloved Bill Bell protege Sally Sussman Morina has officially signed on to return as the soap's head writer. She replaces ChuckPratt, who landed a showrunner gig on Lee Daniels' upcoming Fox girl group drama after being fired by the daytime soap.
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Daytime Confidential was the first soap publication to tell you Sussman Morina was in talks to return to the soap opera. We are absolutely thrilled Sony and CBS had the good sense to finally bring back someone who actually knows Y&R's beloved core characters and history by heart. As fans of the genre, we can't wait to see what Sussman Morina does to help restore Y&R to greatness!
"Y&R" has named Sally Sussman Morina as the new headwriter to replace Chuck Pratt. Sussman Morina previously worked on the writing staff at "The Young and the Restless" from 1983 - 2006 in various capacities, also held several different writing positions at "Days of our Lives" between the years of 1996 - 1999, was a scriptwriter for "Another World" in 1996, and was the creator, headwriter and executive producer of "Generations."
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The news comes mere months after Mal Young replaced Jill Farren Phelps as executive producer at Y&R, and rumors of Pratt'spossible exit began to circulate at that time. The headwriter’s departure also comes amid ongoing fan dissatisfaction with plot-driven storylines.
Charles Pratt Jr.’s previous credits include “All My Children,” “General Hospital,” “Santa Barbara,” and primetime’s “Melrose Place.”
Sussman Morina also wrote for MTV's scripted drama series Spyder Games, Knots Landing and Another World. As a fan of Y&R for the past 35 years, I can't think of a better writer to restore the Bell legacy.  

What's happening to the most Controversial character on Y&R!

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In the "Young and the Restless," Adam Newman was presumed dead, having been in an explosion. But as Y&R fans already know, he is alive and is being hostaged by Chloe.

Justin Hartley, though, has left the daytime soap as he focus on a new opportunity, and so it is anticipated who will take over. Will Michael Muhney finally reclaim the role? Or will Justin Hartley be back in no time? Rumors also have it that Adam Newman is not going to have a plastic surgery when he returns.




Melissa Claire Egan, who plays Chelsea in "The Young and the Restless" told MichaelFairmanSoaps.com, as reported by Celebrity Dirty Laundry, that she does not think the production would go into the plastic surgery route. Why? Because she doesn't think there is going to be a new Adam Newman.
"I truly don't think there is going to be another Adam...but, who knows? As of now, I don't think there is a plan to," Egan said in the interview.

Blasting News cited a report from On Air On Soaps, which said that CBS is not planning an Adam Newman recast "for now." When words came out that Justin Hartley has to leave "The Young and the Restless," all sorts of speculations came out, including that he is just going to be away temporarily. So there is a possibility that the soap opera would just focus now on other story arcs and Adam Newman, with Justin Hartley's face, may be back in no time. For now, while the storyline focuses on Adam's memory, the character can stay dead.

Should there be a recast, among the popular calls is the return of Michael Muhney. He played well the character of Adam before Justin Hartley took over, and fans wanted to see him back.

Big Suprises at America's #1 Drama, Y&R!

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The Young and the Restless (Y&R) spoilers has documented the angst countless fans felt about the regime that has now been fully deposed – no more Jill Farren Phelps – no more Chuck Pratt.
But, new executive producer Mal Young’s presence has been praised and it’s become possible that Y&R founder Bill Bell’s old writer friend Sally Sussman Morina may now take over for fired Chuck Pratt.

Loyal viewers who wanted to see order restored in Genoa City for years now seem to be getting their wish.

While Sally Sussman Morina hasn’t been officially confirmed as Pratt’s successor, she’s been linked to a Y&R return. She initially worked under Bell starting in 1984 and remained with the show for 20 years. Sussman also was a key staff member of Days of Our Lives and Generations in the past. Bell passed in 2005, after which Y&R underwent various transformations.

Jill Farren Phelps, who was Y&R’s former executive producer, exited in June. Now, she’s been followed by Chuck Pratt. He’s been tapped as the showrunner and executive producer of FOX’s new prime time series Star.
Soap operas are surviving on hardcore viewer loyalty these days. With daytime behemoth status just a memory, modern soaps are reliant on a tight base of fans who consistently watch their shows and help to promote them via various social media outlets.
Y&R, in particular, came under fire from a segment of claimed-loyalists after Phelps was hired in 2012.
During Phelps tenure she was subsequently blamed for everything from storylines, to sets, to actor departures. Y&R attempted to shift the spotlight away from her through Pratt’s acquisition in 2014. He was initially hired as the head writer and later added the title of co-executive producer.
Vocal fans quickly decided that they didn’t like Pratt either and began a campaign to get him fired. Whether his move to night time was voluntary, or came after Y&R’s top brass wrote on his wall, is unknown. But, the show’s current EP, Young, has already moved the classic steamer closer to its roots than it’s been in years, while also injecting pleasing scene sequence and setting innovations.
The daily content grind that’s connected to this genre requires a high wire act from all involved. As with any business, the top boss counts. Past success doesn’t guarantee approval from modern audiences. But, proper respect for a soap opera’s history, considered pacing for arcs, storylines that keep well-known characters within their realms and smart actor hires to fill open, or new, roles must be facilitated in order to keep any steamer engaging.
Y&R appears to have regained momentum. Now, Young and whoever replaces Pratt, will be tasked with the challenge of satisfying the rightfully demanding audience of daytime’s still-number 1 scripted show.

Tom Ford: the Interview

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Designer Tom Ford is rare in interviews, but when he grants a precious one-on-one to a magazine, there's no holding back.

Now the father of a 2-year-old, Jack, with his long-time partner Richard Buckley, Ford reflects on his past as a "functioning alcoholic" for my premiere blog and ponders on his infamous shower photoshoot with Terry Richardson for Out

Being a dad impacted his sex appeal:

“I feel less sexy now that I’m a father – and actually there’s a scientific reason for that. I read that men who are the primary caregivers of children have lower testosterone levels. It drops, according to some reports, because nature wants the man to stay with the children and not let them wander off… Now I don’t know if my testosterone levels have dropped or not, I haven’t had them tested, but I feel less sexy, definitely. ”

He was drunk during his nude shoot for Out:

“I suppose stopping drinking made me feel less sexy, too. I think that being drunk all the time used to fuel, and I don’t mean my sex drive, but my… you know, I did a lot of things with [risqué fashion photographer] Terry Richardson, that I wouldn’t have otherwise done.” 


He wakes up at 4.30am every morning:

“I get up and make myself a gigantic iced coffee. I then answer emails and work until about 6am. Then I will head upstairs and have a second giant iced coffee and lay in the bathtub. I don’t like warm drinks of any kind. I lay in my bathtub with a bendable straw in my coffee and no lights and only one candle lit. I love that time in the morning when no one else is awake, and I’m alone, and then I can slowly come to life.”

Yes, he covers the gray:

“I used to plan what I was going to look like at 50 years old. Yeah, I was going to have some grey right here – which I have decided not to have for the moment – I was going to have more hair [he smiles], but other than that I am exactly what I thought I was going to be.”

He loves gummy candy, but he's never seen his staff eat: Although he is careful with his waist – usually eating just sushi for lunch – he does have a predilection for Colin the Caterpillar fruit gums. 

“My assistants think I don’t like people who eat. It’s true I don’t like to see or smell food in the office. But I don’t like the staff to leave the office, either. I’ve never actually seen anyone here eat. Perhaps they eat under their desks when I’m in here doing interviews.”

Top 10 Tom Ford Quotes on Fashion and Style

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Tom Ford is best known as the man who rescued Gucci transforming the label from near bankruptcy to one of the highest valued luxury brands within just a few years.

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Since launching his own label in 2006, Ford has successfully earned his right as one of the most influential voices in style and fashion, winning many international awards for both his work in the fashion industry and as an accomplished film director.

Here’s what the fashion guru has to say for himself:
 
1. “The Gucci woman – you know what she’s after. The Saint Laurent woman – she’s going to torture you a little bit. You might have sex, but she will drip a little hot wax on you first.”
 
2. “A man should never wear shorts in the city. Flip-flops and shorts in the city are never appropriate. Shorts should only be worn on the tennis court or on the beach.”
 
3. “I think that there are fashion designers who are artists. Alexander McQueen was an artist. He was a breathtaking, spectacular, go-down-in-history artist. What I do, and I’ve always said this, is commercial design.”
 
4. “At home, off-duty, I wear T-shirts from Fruit of the Loom but I have them tailored – if the sleeves are cut over the tricep your arms look much better.”
5. “I love fashion. What I love is the ability to express yourself, to be able to make a product and shoot an ad campaign that tosses you out into the world and lets you have a voice in contemporary culture, iconography. I felt a little bit neutered not having that voice.”
6. “As a fashion designer, I was always aware that I was not an artist, because I was creating something that was made to be sold, marketed, used, and ultimately discarded.”
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7. “Fashion is everything. Art, music, furniture design, graphic design, hair, makeup, architecture, the way cars look – all those things go together to make a moment in time, and that’s what excites me.”
8. “It’s a lesson you learn working on 7th Avenue that if your collection doesn’t sell, the very next day you’re fired and you’re literally escorted out by a security guard. It teaches you that if it won’t sell, it just doesn’t work. So you learn to make it successful and then, once you’ve established that you’re doing something that works, you have the freedom to be more creative.”
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9. “One of the most important things is to figure out what your look is — I don’t wear this black suit-white shirt combination all the time to try and be iconic — but because I’m most comfortable in this. Cary Grant never turned up in a pink jacket and hot pants and I don’t feel the need to experiment when I know I like dressing this way.”
10. “If I’m going out in the world, I should make everything look as good as it can by looking my best, it’s a show of respect. Maybe a lot of you are thinking ‘oh he’s so full of it’, but this is how I feel, is that it’s a show of respect to other people who have to look at you! You should try to look as good as you can look and help make the scenery look good.”
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Tom Ford Is a Towel-Snapper!

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When you think of Tom Ford, it's hard not to think about sex. Over the course of a decade, the designer has become synonymous with the use of it in his ad campaigns and beyond.
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Thanks to "a combination of his blistering good looks, his notorious ad campaigns, and the nonchalant ease with which he addresses it," as Aaron Hicklin writes in his November 2007 cover story about Ford. "Sex is just second nature with me," the designer explains. "It's not like an obsession or anything."
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Tom Ford
May be that's why he took it all off during his photo shoot.
"When I saw how I looked in a dressing gown in the showers with the guys it didn't look right," Ford recalls of the shoot. "It was like, Why would I be in the shower with those guys popping my towel in a dressing gown? So I just said, 'We have to reshoot this, and I have to get in there with them, because otherwise it's not right.'"
Now that the designer is married to Richard Buckley and a father of a young son, his brand retains its sensuality—but we may not see him jumping into the nude fray as quickly. In addition to expanding his own label, Ford went on to direct the Oscar-nominated film, A Single Man, starring Colin Firth and a relatively unknown Nicholas Hoult. His directorial debut was a hypnotic combination of design, class, and seduction.
While things may be more subtle now, Ford will forever be a stud in our eyes.
Throwback Thursday: Tom Ford Is a Towel-Snapper

Dolce & Gabbana: As Exes Is "Exactly The Same, But No Sex!"

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Domenico Dolce and Stefano Gabbana say their most difficult time came in 2005, when they broke up as a couple after 23 years together, but remained partners professionally. 
"The worst time for us was when we broke up but kept working together," says Gabbana. "We thought about splitting up, but no. And the truth is, everything is exactly the same. But no sex!"
"No sex," agrees Dolce.
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 "About three or four years ago, I thought, ‘I am exhausted by seeing you all the time!'" says Gabbana. "I mean, this is the conversation: he says, ‘I want yellow.' But I want blue. And then he says, ‘This shirt is giving me a headache,' and, of course, I have to say, ‘It's my fault?' and then he says —"
"No, it's not your fault," smiles Dolce.
Funny, they still fight like an old couple.
During fashion show season, which is any time between January’s men’s wear shows and this weekend, when their women’s wear collection is shown in Milan, Domenico Dolce and Stefano Gabbana don’t go out to lunch.Image result for dolce & gabbana designers
This is not, in case you’re wondering, an initiative reflecting the current austerity programme in Italy – Dolce and Gabbana actually own a restaurant in Milan called, pointedly, Gold. But during super-busy periods, the design duo – famous for turning Sicilian widow’s weeds into objects of high fashion fetishisation, and for persuading celebrities such as Scarlett Johansson and Kylie Minogue to shoehorn themselves into said confections of corsetry and black lace – rarely leave their office once they arrive, at 9am, from their respective apartments in a building across the street (Dolce lives on the fifth floor, Gabbana on the sixth).
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In other words, if you want to talk to them, you go to them, which is not as bad as it might sound. As Gabbana explained, when I invited them to lunch, “The office is our prison. But it is a nice prison.” “It’s a golden prison,” added Dolce. He was not speaking entirely metaphorically.
Arriving at the general reception (pretty standard, featuring a woman behind a high desk), I am quickly escorted to a more private reception area. It is an eye-boggling combination of deep burgundy velvet settees, leopard-print walls and assorted enormous paintings. These include an oil of the designers and their three labradors – one chocolate, one blond, one black – and the Italian pop artist Giuseppe Veneziano’s depiction of an enormous classical Madonna with the head of Madonna Ciccone and two putti – with the heads of Dolce and Gabbana – playing at her feet.
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 It is, frankly, a little disconcerting. Still, Dante Ferretti couldn’t have made a better film set if he’d tried. As Dolce and Gabbana design, so do they live.
“Vanessa!” Gabbana enters, stage left, smile on his tan face, wearing artfully ripped Dolce & Gabbana blue jeans, an odd assortment of keys jangling from a watch fob on his pinstriped vest. “Vanessa!” Dolce enters next: shorter, bald, with black-rimmed glasses perched on his head, wearing a grey sweater and jeans.
Dolce, 53, and Gabbana, 49, met in 1980 when both were assistants at a fashion atelier in Milan, and became Dolce & Gabbana in 1982. From the start, their inspiration was to tap into the romantic nostalgia people feel for the Dolce Vita clichés of Italy – Sophia Loren, pasta, Sicily – and to translate them, without irony but with great enthusiasm, into a modern aesthetic (one 2009 ad campaign featured Madonna in a kitchen cooking pasta).
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The clothes may have a complicated construction but their appeal is straightforward. Like many other Italian brands, they are, at least superficially, about sex. But where Gucci historically channelled hedonistic sex, and Versace aggressive sex, D&G’s domain is happy sex: the wow-check-out-my-cleavage-I-can’t-believe-it! sort of sex.
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The two designers have been together professionally for 30 years and they were also involved personally for 23 of those but broke up in 2005. They know it is tempting to try to make sense of their partnership, to say one is a tailor and one a dressmaker, or one a sketcher and one a draper. Dolce says: “I go to Pilates three times a week in the morning and recently I was in the dressing room and a teacher came in – which wasn’t really nice, because I don’t want to talk to the teacher when I am dressing – and he says, ‘So, how does it work: are you a tailor and he is more VIP? Or – wait, I know – are you like Bertelli and he is Miuccia Prada?’ ”
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“Bertelli and Prada? Hah!” Gabbana snorts. The reference is to the division of business and design responsibilities that exists at another famous Italian fashion house, between the designer Miuccia Prada and her husband, and Prada chairman Patrizio Bertelli.
Instead, the way Dolce explains it: “We are in each other’s minds.” Certainly, by this stage in their lives together, they are a double act to rival Laurel and Hardy, Hope and Crosby, or Oscar and Felix from The Odd Couple. Dolce is quieter, more practical; Gabbana, the chattier one. He says Dolce is “Sicilian – he came north to find ‘the new’, and he’s all the time looking forward”; he himself is Milanese, “so I love tradition. It’s very hard for me to let go of the past.” Gabbana talks not just with his hands but with his arms and occasionally also his shoulders. If Dolce uses any props to illustrate or underline his words, it’s his eyeglasses.
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Watching them in action, you know you are seeing a performance but to complain seems churlish. For those familiar with their runway shows, it provokes an interesting sense of déjà vu. Though their collections are full of push-up corsetry and crystals, the Dolce & Gabbana business is actually built on tailoring, white shirts, and trouser suits. But while very profitable, this stuff is not particularly stimulating to look at. So, instead, the two men provide a show.
As we stroll to the dining room, situated across a wide hall with an enormous Venetian chandelier at one end, the routine continues. I mention that I have just come from the Paris couture shows and was disappointed by them.
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“Today people think style is a handbag,” says Dolce, mournfully.
“But you don’t change your style by changing your bag,” says Gabbana. “You change it with your clothes.”
Dolce: “In history, in ancient Egypt, did Cleopatra change her bag?”
Gabbana: “It’s clothes that change with the times. In 10 years, who is going to remember the bags? They will remember the clothes.”
Dolce: “The fashion system has killed fashion.”
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The patter pauses as we enter another room, with another enormous chandelier – gilt this time – and equally feral wallpaper, in tiger stripes. Gabbana’s dogs are about to have lunch, too. The designer heads through a door and reappears with three dog bowls that he places in a corner. Gabbana loves labradors. He has had labs for 17 years, since Anna Dello Russo, the Italian fashion editor and blogging celebrity, gave him one as a Christmas present. “They are the nicest dogs,” he says. “So friendly to people.”
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A waiter appears and hands Gabbana a piece of paper. He looks at it and hands it to me with a flourish. “This is your menu,” he announces. Unfortunately, it is in Italian, which I can only guess at, so he elaborates: “I am on a detox, so what I get, you get. Madonna told me about it once when I was in New York, and now I do it twice a year. Ten days, all vegetables and protein.”
“I don’t detox,” says Dolce. “I like to cook. I cook Sicilian food: over the weekend I made a bolognese and roast for 15 people. I cook and wash, cook and wash. When I am done, the kitchen is like a mirror.”
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A tureen of soup – carrot, with seaweed and bulgar – is brought in by a waiter in a white coat. As the guest, I am served first. I mention this, because it will become an issue later. “This is good,” says Dolce.
“Mmm,” says Gabbana.
“Cheese?” says Dolce, proffering some shaved dairy products in a silver bowl. Gabbana gives him a look.
This is one of the last meals they will have in their current headquarters: they are moving to a new building next to the old Metropol theatre, a classic, mirrored venue they bought a few years ago and transformed for their runway shows. Renovations have been going on for three years, pausing briefly during the onset of Italy’s financial crisis. The two men say they approve, generally, of what Mario Monti’s government is doing to address the country’s fiscal woes. This despite the fact they are facing a trial over a charge of alleged tax evasion (“We know we did nothing wrong,” says Gabbana.
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“These things just take a long time”), and have been affected by a new law that means no establishment may accept cash over €1,000. “We lost so much money in the sales,” says Gabbana. “People come, they want to buy with cash, we tell them, ‘No, we need a charge card,’ and they leave without anything.”
“It’s the right thing to do, though,” says Dolce. “Think of all the manicurists who have been taking cash and not paying the right taxes. OK, one, on its own, it’s nothing. But all of them together  ”
“This is one of the ways we have changed the most since the beginning,” says Gabbana. “We have learnt there is a time for everything.”
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“Before we wanted everything immediately: fast, fast, fast,” agrees Dolce, having some more soup. “We were like a machine. Well, I am still like a machine. But now my machine can wait.”
Dolce designed the new building (architecture is his domain) but Gabbana has not yet been inside. “He won’t let me in,” he says, waving a hand at Dolce. They will share an office, as they do now.
“About three or four years ago, I thought, ‘I am exhausted by seeing you all the time!’ ” says Gabbana. “I mean, this is the conversation: he says, ‘I want yellow.’ But I want blue. And then he says, ‘This shirt is giving me a headache,’ and, of course, I have to say, ‘It’s my fault?’ and then he says – ”
“No, it’s not your fault,” smiles Dolce.
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“So I said I wanted my own office in the next place. But then, in the end, we have one big room.”
A waiter brings a tray of steamed fish, seaweed, broccoli rabe and fennel. I take some – normally I like just one course at lunch but I was taught that when you are a guest in someone’s house, you eat what you are served and this is Italy, where meals matter – but when the waiter gets to Dolce and Gabbana, they wave him away.
“I ate too much soup,” says Dolce.
“Me too,” says Gabbana. “That was very filling.” I look at the food on my plate and feel a bit silly. I am the only one eating, which in the fashion world is pretty weird. Still, this means the designers can continue their dialogue without worrying about food coming out of their mouths, so maybe they have an ulterior motive.
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 Either way, they have manipulated the scene effectively to their own advantage.
“The worst time for us was when we broke up but kept working together,” says Gabbana. “We thought about splitting up, but no. And the truth is, everything is exactly the same. But no sex!”
“No sex,” agrees Dolce.
“I can’t work without him,” says Gabbana. “Maybe one day there will be a Dolce collection and a Gabbana collection – ”
“No. Never,” says Dolce. “This is my destiny.”
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This is also what both say when the subject of an initial public offering comes up. It is conventional fashion business wisdom that, to be competitive globally, Italian family-run companies must either turn to big groups (Bulgari has just been bought by LVMH), go public (Ferragamo) or take private equity investment (Moncler). Dolce & Gabbana – with revenues in 2011 of €1.1bn – is widely viewed as an attractive candidate for any of the above. “When people ask if we are going public, we think, ‘Why?’ ” says Gabbana. “For about six months, banks kept coming to talk to us.”
“But we don’t want the money,” says Dolce. “Tomorrow we could change our minds if we needed it to expand but, at the moment, we don’t.
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We do need to grow a bit more. We have a lot of plans.”
Though they closed their younger, more accessible D&G line in September, they tell me it was to stop causing confusion with their main line, not for financial reasons. They want to open 30 stores in China over the next two years, as well as others in São Paulo and New York. They have also become something of a mini-publishing house, producing coffee-table books in conjunction with publishers such as Rizzoli and Taschen. Their dream is to be a “maison, like Chanel. But maybe we need to die first,” says Gabbana.
“And then Karl [Lagerfeld] could come in and do the collections!” says Dolce.
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The waiter is back, this time with a glass-domed plate piled high with little Sicilian desserts. “Oh!” moans Dolce. “I love cakes.”
“Sugar is like a drug. If I have one bite, I need to eat it all,” says Gabbana. “I can eat an entire panettone in one sitting.”
And, yet, neither touches the pastries. When we finish coffee and the designers mount the wide, curving staircase to their atelier and I am escorted out into the Milanese sunshine, I remember those sweets, sitting under the glass dome, and consider the fact that, no matter how much face-making and sighing Dolce and Gabbana did to indicate their desires, no matter how tempted they claimed to be, they stayed in absolute control. After all, you don’t eat the props, do you?
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Adam Loebbert: Swedish Male Model

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20 year old, Swedish fashion model, Adam Loebbert, talks about his most memorable photo shoots and the pros of modeling in this new exclusive interview.

Agencies: Elite Model Management Stockholm, D’Management Milan, Sight Management Barcelona

Milestones: Fashion week Stockholm, Sthlm FW Magazine (Cover)

Current location: Helsingborg, Sweden
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How did you first get into modeling? And how long have you been modeling? 

It all started when I was in America as an exchange student at the age of 16. I was approached on the streets of Miami and Dallas from different agents who saw interest in me. At first I had no idea what they were talking about, although it intrigued me. I was there to go to school and play American football, and had no ambition of doing anything else. When I returned to Sweden, my family convinced me to apply to an agency. That’s when Modellink/Elitemodel took me in.

I’m 20 right now and have been modeling part time due to finishing school for the last two years now. I just graduated this summer and I’m now able to continue with what I want, work full time and have more freedom for traveling than ever.
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What does your career do for you? 

Being a model helps me enjoy life like I want it. It has really given me lots of opportunities and makes me work even harder and set higher goals in life. To just be able to travel the world like this and explore new locations every time is truly an adventure for me.
It also strengthens me as a person in my social life.

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What’s your most memorable shoot? 

There has been both some weird and exciting shoots that are very memorable. Some shoots are very manly but others challenge my feminine side. One of my most memorable shoots was also a breakthrough for me. Two gay guys dressed me in very feminine clothes with a lot of fur, flowers and big hats. It was pretty weird at first and I didn’t have very high expectations but the result turned out to be good and got me thinking differently. One of the photos actually made the cover of Stockholm Fashion Week Magazine.
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What are the pros of being a model?
The industry is huge, there is so much to experience and it gives you an opportunity to travel the world, which is something a lot of people want to do. I just think it’s something fun that you can enjoy, even if it’s tuff work and not everything might be fun but everything is definitely an experience that you can learn from. That is something that I like very much, I want to know the world and travel to all the cool places, meeting new people and learn everything I can from it, and modeling gives me that. I’ve learned a lot from doing what I do.
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What’s the biggest misconception about the male modeling industry?
That it’s not just a photo, it’s not just looking good, it’s hard work. Models have to train hard and eat healthy to be able to work. We can’t just eat a pizza when ever we want or drink a bunch of beer if we want to get the jobs. There are sacrifices to do in every job, even in modeling which people don’t understand. A lot of people also think it’s very gay, at least from what I herd in the beginning but when they see you on billboards or in magazines they wanna know you and if they don’t, heaters gonna hate.
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What are your other passions outside of modeling? 
I’ve always been in to sports, ever since I was little I wanted to become a sports star. Love playing American football, snowboarding, longboarding, riding my motorcycle and do the extreme things in life. I love adventures and hanging out with my friends.
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What do you do to stay in shape? 
I work out at least 5 days a week, sometimes two times a day, either at the gym or running in the woods. I am always very active and can’t sit down for too long without doing anything. When it comes to food I get all crazy and tired if I don’t eat every few hours.  I eat very healthy, but sometimes it feels like I’m shoveling food down my throat every minute. This gives me the energy to work out and keep my body in form. I like to experiment with different kind of juices and shakes because finding a balance between healthy and taste can be difficult sometimes. But I do pretty good with that actually! 😉
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What are the top five items every man should have in his pantry? 
I like to have juice, fruits, muesli/oatmeal, chocolate and water, because these things make me feel goooooood! I know it only says five items… but I have to add popcorn!!!
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What are your favorite hang out spots in the city you currently live in? 
Just north of my hometown Helsingborg a place called “Mölle”. In Mölle there is a small mountain called Kullaberg, where one can find big cliffs by the sea. Cliff diving, climbing or just find a nice exclusive spot with friends or a date, are some of the things one can do up in Kullaberg. I like to just chill and enjoy the view and atmosphere.


What do you think MODELLIST-ID can do for the model community?
From what I’ve seen and understood, I think it can really help models get around easier and know more about what to do and not to do, since we all can share our experiences we can help each other and new models will easier get in to the industry and get noticed by others. I really think it’s a very good creation and I’m glad that Celine wrote to me so that I can also be a part of this.
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What is your advice to aspiring models? 
I still consider myself as an aspiring model but my advice would be to never forget who you truly are and don’t let the media and others change that in a bad way. Stay mentally strong and believe in yourself. Confidence in yourself can make up for a lack of experience.


Any specific plans for the future? 
I usually get many big ideas and I’m very spontaneous which I like about myself cause it makes life so much more interesting, although, one of my biggest goals is to become an actor.



Gabriele Merli: Male Model from Perugia

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Italian male model Gabriele Merli has been modeling since 18 and now gives the inside scoop on what his career does for him and male model misconceptions.
Agencies: Ad Sphera, Fashion concept
Current location: Perugia
How did you first get into modeling? And how long have you been modeling?
I got into modeling when I was about 18 years old, I’ve been modeling for about 3 years!

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What does your career do for you?
Well, I can say that it makes me more confident of myself. And it’s very important to me also for the relationship with other people. My work made me travel too, and that’s nice.

What’s your most memorable shoot?
Well, I think one of some years ago, it’s a shoot I made for Wella’s billboard in my city.

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What are the pros of being a model?
I think that one of the pros of being a model is that enhances you as a person, it’s considered a cool job and it’s easy to have fun while you’re working!


What’s the biggest misconception about the male modeling industry?
Maybe that it’s easy to earn a lot of money; the male modeling industry is absolutely more difficult than the female modeling industry.

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What are your other passions outside of modeling?
I love cinema, videogames and to practice a lot of sport.


What do you do to stay in shape?
I’ve practiced waterpolo and I swam for many years; it helped a lot to build a good body! Now I go to the gym three times a week to stay in shape.

What are the top five items every man should have in his pantry?
Sunglasses, watch, different bracelets, rings and of course a jacket.

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What are you doing when you’re not modeling?
I work as an agent for some companies, like for Wella. I study too and I’m about to graduate!


What is your advice to aspiring models?
Believe in yourself and the results will come.


Any specific plans for the future?
In the future I want to do a different job, I’d like to become a manager.

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Interview With Dennis Klaffert

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From London to Los Angeles to New York, male model Dennis Klaffert has conquered the world. He has been modeling full time for the past 10 years and has caught the attention of many great designers in the world. Besides, if you are looking for a cool vintage car, this is your man!

Nationality: German

Agencies: Wilhelmina, La Models, Kult, Ice Models.

Milestones: Calvin Klein, Ralph Lauren, Abercrombie & Fitch, Armani, Gant.

Current location: New York

 

How did you become a model?
I was a student in Germany and needed money. A friend of mine was modeling with a small agency in Berlin and told me I should meet up with them. They liked me and signed me. From there I was scouted by a bigger agency in Hamburg who sent me to do the shows in Milan and Paris. After that I made my way to London, Los Angeles, Miami, Cape Town and New York, which is where I am based now.


In your own eyes, what was the moment that your career really took off?
When I booked an exclusive show with Calvin Klein. I would say the next moment was when
Bruce Weber saw me sitting on a curb in Miami and booked me for the Abercrombie & Fitch campaign and later for a Ralph Lauren fragrance campaign.
What’s one of the most interesting shoots that you’ve done?
I shot a video where I had to brush a models teeth and then make out with her while the toothpaste foam ran all over us.
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Who’s your favorite photographer you’ve done a shoot with and why?
Guy Aroch and his wife Anna Palma, I’ve shot with them a few times, they are both such amazing people and so great to work with.
Are you working fulltime as a model or do you also study/work next to it?
I have been a full time model for the past 10 years. Of course there have been ups and downs which is why its important to have side projects/hobbies. I am really into vintage cars. I buy them, fix them up and then sell them.
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You have several agencies worldwide. Please tell us a bit more about your modeling agencies and what you like most about them.
My favorite agencies are always the ones where I get on with my bookers. Every time I walk into Wilhelmina it feels like I’m visiting friends. I am greatful to have great agents.


What’s your favorite place to hangout in New York?
The Bowery Hotel and Soho House are always cool places to meet friends for drinks.

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Where is home for you and why?
Home is New York. I can’t really explain it but since the first time I got here I knew that I belong here…



If you could travel anywhere right now, where would you want to go?
Space.
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Which five words would your friends use to describe you?
A plant loving lucid dreamer.


What do you think MODELLIST-ID can do for the model community?
I think it’s a fun way to follow what other models are up to.
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Ric Wersig: Sizzling Male Model

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Ric Wersig
Nationality: German
Profession: Fashion model and actor
Agencies: M4 models Hamburg, Nevs Models London, I Love Models Management Milan, Art Room Models Istanbul, Fusion Models Cape Town, Look Models Vienna
Milestones: Abercrombie and Fitch Campaign, JPI (Camp David) Campaign, Gabbiacci Milano Campaign, Ermenegildo Zegna runway, LC Waikiki Campaign (Istanbul), GQ Magazine, Cosmopolitan Italy etc.
Current location: Based in Hamburg, Germany
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How did you start modeling?
Originally I’m from Kiel, a city in the north of Germany, one hour from Hamburg. I moved to Hamburg for a dual study. Education as a consultant in an advertising agency and besides I was studying business administration.
I got recruited on the street by Abercrombie & Fitch. Since I was working so much already, they gave me a special contract with less working hours so I could work twice a week as a shirtless model (greeter) in the flagship store in Hamburg. It was very new in Hamburg, so a lot of people came to see us standing there showing our muscles. Also a lot of modeling agencies came to recruit me but I wasn’t really interested at that time.
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One day the CEO of A&F Mike Jeffries showed up in our store while I was working. He told me I looked beautiful. The next day I got booked for the Abercrombie & Fitch Campaign in America with one of the best photographers in the world, Bruce Weber.
After one week of shooting I got invited for several Abercrombie store openings for representing the brand in Amsterdam, Munich, New York, LA, Hong Kong etc.
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Since each opening takes at least a week. I always had to take holidays. After a while I had to choose if I wanted to keep studying or become a model. I felt like I have to take the chance and see how far I can get in modeling. To that point of time I already had some experience in acting including some television jobs (TVCs, documentations etc.) After I quit my education I went straight to one of the best model agencies (m4 Models) in Hamburg and introduced myself. I signed the contract the same day. From then on I was officially modeling. Soon I did it fulltime because a lot of jobs came in. There was no time for anything else anymore.
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What does your career do for you?
My career allows me to travel so many nice countries and cities, which I haven’t been before. Also to meet so many cool people all over the world. Learn about the culture etc. Earning money by doing what I like is one of the best things and to still have enough time to explore the cities and doing other things like pursuing my hobbies.
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What’s your most memorable shoot?
I’m modeling one and a half years now and I already had a lot of great shootings. But the most memorable one next to the Abercrombie Campaign was a shooting in Tuscany Siena, Italy, with Jose Villa, a very famous photographer from America. Our shooting location was a huge villa called Villa Cetinale. The last owner was a pope and only Vogue and Elle were allowed to shoot there before us. It was the biggest villa I’ve ever seen.
The whole estate, including a garden area, was about 10 hectare big. We had our own cooking team, serving 5 star meals fort he whole crew.
We had two shooting days and even spend the night in this wonderful house.
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What do you think Modellist-­‐ID can do for the model community?
I think it can help to get in contact with other models, especially when you’re in a new city. I also like the fact that people share their favourite places, products etc.. In my opinion this is a big chance for not so experienced models to get in that industry easier and safer.
Who do you admire and would you like to meet?
I’d love to meet Megan Fox! Wouldn’t mind meeting either Leo DiCaprio, Johnny Depp or Brad Pitt to talk about our next movie cooperation!
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What’s your favourite book/movie/music?
I listen to hip-hop mostly but I’m open to pretty much everything not too special.
I loved the books and the movies of Lord Of The Rings and Harry Potter. Also Fight Club, Wolf of Wall Street, Transformers, The Beach, Zombie and war movies as well as movies like Warrior and so on....
What do you do to stay in shape?
To stay in shape I try to hit the gym at least 5 times a week. Also I eat healthy with low carbs mostly but I need at least one day where I can eat whatever I want. My „cheatday“. I drink a lot of green tea and for my muscle regeneration I use a special low fat/carb protein called Iso-­‐Protic 2.0
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What cosmetic products do you use?
I don’t really use beauty products except body lotion if that counts.
What are your favourite hangout spots in the city you live in?
One of my favourite hang out spots in Hamburg is the Sternschanze. I live very close to it. It has many nice cafes and restaurant. I like the atmosphere there.
Also I like to be in the centre of Hamburg. And around the Alster.
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What’s your favourite city and where do you like to hang out there?

I have a lot of cities I like to hang out at. For example Cape Town, Milano, London, Melbourne, New York etc.
Lately I was in Mykonos a little island in Greece. One of the best spots there is a restaurant called Namos.

Do you have any advice for those who want to start modeling?
Yes, the model business is a tough one. You really have to believe in yourself and shouldn’t take rejection personally!
A top model that is very successful once said, 99% of her castings she got rejected. So get used to it and don’t give up!
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What are your plans fort he future?
My plan fort he future is to visit as much beautiful places as possible, enjoying life, make some important contacts and book some more important jobs which hopefully bring enough money to be financially secure fort he future.
Also I want to switch to acting Step by Step.

One more thing…
Every male model probably knows that it’s sometimes necessary to have a good protein product to gain or keep muscles. I found a product, which I’m using more than 2 years now, Iso-­‐Protic 2.0 by Bodies. It is perfect for fat free muscle building and tastes fantastic. In my opinion the best product on the market.
Since I’m 100% convinced by it and can really recommend it and know everything about it i got in contact with the European sales manager, who was immediately keen to support me with all their products.
We have a little cooperation now which means for me that i just go with what i was doing all the time anyway, promoting their products…
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Brian Shimansky: World Premiere Male Model

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http://attheloft.typepad.com/.a/6a00e54ecca8b988330153926ffc94970b-650wi
Eight years ago, Brian Shimansky’s life took a sharp and unexpected turn, and he has John Mayer to thank for that. Then a recent college graduate, Shimansky was all set to start a business advisory job in the fall of 2008, looking ahead to a life of weeks on the road shuttling between offices, when he was scouted at a Mayer concert and decided to go all in. “About a week after that, I met Jason Kanner [then at Major Models, now of Soul Artist Management (New York)], he immediately said yes, and I never looked back from there,” Shimansky recalls.
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Shimansky quickly picked up attention from major photographers like Mario Testino, Milan Vukmirovic, and Giampaolo Sgura, and went on to become a favorite of Bruce Weber and Steven Klein. In 2012, he booked a fragrance campaign, the industry’s peak, for Versace Eros shot by Mert & Marcus, a moment of validation that made the risk he took all those years ago really worth it.
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“I sat in Jason’s office in 2008 thinking, ‘Ok, I’m giving up a serious salary to pursue this complete uncertainty,’” Shimansky says. “I knew as well as he did there’s no guarantee. You’ve got to work hard, put in the time, be patient, and trust the process. Four years of doing that released when I got the call that it was going to be used.”
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With his place in the modeling world secured, Shimansky has lately been turning his attention to an old passion, woodworking. An avid fan of construction toys like Legos and Lincoln Logs from a young age, he discovered the woodshop in high school in suburban New Jersey, where he would put in hours every week making projects from baskets and cutting boards up to benches, minibars, and even a foosball table.
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His hobby has turned more professional recently with the establishment of Shimansky Design, his personal design and construction studio which offers everything from built-in shelving to standalone furniture, including all the tables and benches shot here. “I have a need to just stay busy and work with my hands,” he says.
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Shimansky approaches his designs organically, often working with salvaged wood—oak flooring from an apartment renovation, shelving from a defunct store, discarded desks and drawers—or with leftover lumber from tree disposal companies. “I put everything aside in my garage in my little brainstorm pile that I go to when I have projects,” he explains.
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Currently working mostly on commission, Shimansky does almost all the construction work himself by hand, keeping a focus on the individual aspects of each piece of wood he works with. Metal components are a common feature in his designs, giving them an industrial feel along with a sturdiness that he says many pieces can lack. His business has grown through word-of-mouth and, of course, social media, where pictures of his products can often lead to new customers.
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For Shimansky, his carpentry offers the perfect complement to his modeling career, a meaningful project that he can work on during his own time and by his own sometimes-hectic schedule. He sees room to expand, however, and says that even a major dream project—say, fifty tables for a boutique hotel—would still be manageable on his own. And there is a part of Shimansky that, perhaps, might even want to keep the work all to himself. “If I’m not getting blisters on my hands,” he says, “I don’t feel like I’m fulfilled.”
Thank you Brian!


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